Ken park (2002) sex scenes

Ken Park (2002) Sex Scenes Das könnte dich auch interessieren

Schau' Ken Park Sex Scenes Pornos gratis, hier auf skattegranskarna.se Entdecke die immer Vor 2 Jahren. Maeve Quinlan & Tiffany Limos - Ken Park Maeve Quinlan & Tiffany Limos - Ken Park Maeve Quinlan Tiffany Limos Sex Scene With Two Guys In Ken Park Movie. · Tiffany Limos Sex. , Ken Park Scene txxx, promis, gang bang, vor 11 Monate. , Maeve Quinlan Nude - Tiffany Limos Nude - Ken Park Maeve Quinlan, tnaflix, titten​. Der Spielfilm Ken Park ist ein Coming-of-Age-Filmdrama der beiden US-​amerikanischen Regisseure Larry Clark und Edward Lachman aus dem Jahr , der vom Leben pubertierender Jugendlicher in Meine Idee war also, um die Kinder herum eine Sexszene zu konstruieren, um ihnen eine Art Erlösung zu bieten. [ ]. Der US-Regisseur Larry Clark macht sich mit seinem Film "Ken Park" Larry Clarks "Ken Park" Sehnsucht, Sex und Schrecken USA

Ken park (2002) sex scenes

So beendet Ken Park sein junges Leben und so beginnt der neue Film von "Kids"​-Regisseur Larry Clark. Der Selbstmord des Teenagers ist Ausgangspunkt für. Der Spielfilm Ken Park ist ein Coming-of-Age-Filmdrama der beiden US-​amerikanischen Regisseure Larry Clark und Edward Lachman aus dem Jahr , der vom Leben pubertierender Jugendlicher in Meine Idee war also, um die Kinder herum eine Sexszene zu konstruieren, um ihnen eine Art Erlösung zu bieten. [ ]. Der US-Regisseur Larry Clark macht sich mit seinem Film "Ken Park" Larry Clarks "Ken Park" Sehnsucht, Sex und Schrecken USA So beendet Ken Park sein junges Leben. Ken Park (). Drama: Hip User-Film-Bewertung [?]: unterirdisch schlecht mittelmässig gut weltklasse / 5. Beste hausgemachte und durchgesickerte video Ken Park Sex Scene bei skattegranskarna.se Ken park all XXX scenes - full http://shrtfly.c. Ken Park (​). Ken Park. Ein Film von Larry Clark Genre: Drama | Produktionsland: USA | Erscheinungsjahr: | Jahrzehnt: - Und den Vorwurf, er sei von Teenager-Sex besessener als ein Teenager, von Larry Clarks neuem Film ist ein trauriges Wortspiel: "Ken Park" ist ein Junge Er fühlt sich, sagt Shawn, irgendwie schuldig am Tod von Ken Park, obwohl er KEN PARK, USA/NL/F - Regie: Larry Clark, Ed Lachman. So beendet Ken Park sein junges Leben und so beginnt der neue Film von "Kids"​-Regisseur Larry Clark. Der Selbstmord des Teenagers ist Ausgangspunkt für.

Ken Park (2002) Sex Scenes - Statistiken

Larry Clark fächert dies in "Ken Park" authentisch auf, dazu passt auch sein deutlicher Umgang mit Nacktheit. Er setzt sich in eine aus Beton aufgeschüttete Half-Pipe, wo Dutzende Skater herumfahren, holt aus seinem Rucksack eine Digicam und Pistole - und führt mit einem sanft entrücktem Lächeln eine schockierende Tat aus. Der Selbstmord des Teenagers ist Ausgangspunkt für die nun folgenden Geschichten von vier befreundeten Jugendlichen. All diese Erwachsenen sind mies, manchmal für einen Augenblick mitleiderregend, aber Clarks Emotionen konzentrieren sich auf die Kinder. Susanporn94946 this conference, Independent Films sought leave to participate as an interested party. Let's get your review verified. He lost his temper with the film's British distributor during an argument about terrorism, he says. Release date. It is unprecedented Yellowstar fat a film festival has requested an exemption for Viki porn film Frozen xxx has been classified RC.

The actions and reactions they take seemed so hackneyed to me. Could it be that Larry Clark is developing a "larry clarkness"?

As one who is purported to be a breaker of styles and conventions this movie was shot pretty conventionally with lots of sex.

I wasn't too impressed with this effort. Some shots, as Larry Clark says, are there for realistic purposes but I just found it to be sensationalistic and unnecessary.

The cinematography was great that is probably due to the Ed Lachman. The blue and red tinge really added to their respective scenes.

Probably use of tungsten for outdoors and daylight inside. Correct me if I'm wrong but I could swear Larry Clark is moving from realism to symbolism.

In one scene he has the family gather together on the front steps. Your good Ole' American suburban family, full of deceit and infidelity but putting up a great face none the less.

It seemed like a tableau. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.

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Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Ken Park is about several Californian skateboarders' lives and relationships with and without their parents.

Writers: Harmony Korine screenplay , Larry Clark based on stories and characters by. Available on Amazon.

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User Polls Peachy Keen! Edit Cast Cast overview, first billed only: Adam Chubbuck Ken Park James Bullard One of the sex scenes included details of a fetish, namely auto-erotic asphyxiation.

Another scene depicted child sex abuse. The Review Board noted that the application for review was for sale or hire as a video.

Under section 11 of the Act the intended audience of the film is relevant. The Review Board noted that for a sale or hire application, as contrasted with a film festival audience with a single restricted screening, the audience is much broader and the screening of the film less controlled.

Overall the purpose, tone, treatment and cumulative effect of the various elements already identified including numerous scenes that appear prolonged or contained gratuitous detail result in a higher overall impact such that the film should be refused classification.

The Review Board found that the film contained elements beyond that which could be accommodated in R or X and the film was Refused Classification.

Had they not done so, then it would not have been rated and the Sydney Film Festival would have been able to go ahead with the planned screenings.

Censors' film ban creates a scene smh. The festival's director, Gayle Lake, told the State Theatre audience that the board and staff were incensed by a classification review panel's decision.

In response to an audience question, Ms Lake suggested the festival could still screen Ken Park next week to protest against the decision.

The move was "under consideration". The reference to child sexual abuse infuriated the festival's president, Cathy Robinson, who accused the panel of introducing an emotive issue that confused the debate.

Despite the failure of their appeal, the Sydney Film Festival continued to try to obtain permission to show the film.

Child sexual abuse was not cited in the original decision of the Classification Board and the Sydney Film Festival is seeking clarification as to the use of this terminology, as the film depicts youths of 16 or 17 years of age who are portrayed by actors over the age of 18".

The nature of the film and of the scenes causing concern can be gauged from the attached quotations from the decision of the New Zealand Classification Office which permitted the film to be screened at film festivals there.

Gayle Lake went on to tell audiences that "Anybody familiar with Larry Clark's work will know what to expect from his latest film. It is tough and confronting, however, it has been cleared for festival screenings worldwide, including Rotterdam, Venice and Toronto.

It is actually in commercial release in Spain, Russia, Denmark and a number of other European countries and is expected to go into release in the US later this year".

You, as a discerning and adult audience will be denied the opportunity to make up your own minds about the film. We are asking festival-goers to help us in our campaign to allow Ken Park to be screened next week.

Sydney Film Festival to screen the film to a festival audience. It seems ironic that in the 50th year we are still fighting censorship battles.

Some of the concessions won in the past have been withdrawn and we are back in a situation of defending the festival's role of screening groundbreaking, provocative work that pushes the boundaries.

MP aph. On June 16, a day before its first planned screening, the Festival dropped the film and announced:.

The Festival this morning received a letter from the State Attorney General Bob Debus which said: "The situation at law is complicated.

It is unprecedented that a film festival has requested an exemption for a film that has been classified RC.

Festival Guidelines, agreed to by State and Territory Censorship Ministers, clearly state that films that have been either classified X or RC Refused Classification will not be granted an exemption to be shown at a film festival.

These Festival Guidelines have the status of an intergovernmental agreement and I am under an obligation to uphold the terms of this agreement.

I regret therefore that I am not in a position to direct that an exemption be granted for Ken Park to be shown at the Sydney Film Festival.

Our focus is not just on the issues surrounding this particular film, but on the broader issues of censorship, the classification process and the parameters of the current set of festival guidelines.

Festival director Gayle Lake announced that in place of the screenings a public forum and debate on censorship will be held at the State Theatre on Tuesday Ken Park won't screen at festival theage.

Sydney Film Festival director Gayle Lake today said the festival would accept the decision and rejected calls by some to proceed with the screening regardless.

Film censorship causes uproar at Sydney Film Festival abc. I think, I think that it's my best work.

Film director Larry Clark says it might look real, but in fact it's not, and anyway his film is about much more than teenage sex.

This is a story about human beings at this point in time in the world. LARRY CLARK: Because this is about kids and parents and it's about kids, who are, whose… it's all about kids where the adults are using the kids in the most inappropriate ways to try to, you know, fulfil their own emotional needs, and their own emotional emptiness, and at the end of the day there's nothing for the kids.

The kids are getting nothing so they only have each other. Debus wants festival film rethink smh. On the day Ken Park was due to screen at the Sydney Film Festival, Mr Debus said he was worried about the effect on the festival's status by the ban on the controversial American drama.

Ken hits back at censor theage. Australia's largest film festival is considering legal action over the ban of controversial American flick Ken Park.

The independent film, which was refused classification last month because of its depictions of teenage sex, incest and auto-erotic asphyxiation, was missing from the 52nd Melbourne International Film Festival MIFF program announced today.

MIFF director James Hewison would not rule out taking action in a bid to show the film, but conceded it was unlikely to be successful before the day festival opens on July Group to defy censors and show banned film smh.

The controversial American film Ken Park, forbidden a screening at the Sydney Film Festival, will be given a public showing in Balmain, in defiance of a ban by film censors.

It has been organised by a group of film critics, film makers and others calling itself Free Cinema and will be open only to people over the age of Cr Parker said many members of the group, which is not connected with the Sydney Film Festival, were "not interested in seeing the film but concerned about the issue of censorship".

He said he was involved as "a concerned individual who believes there are important matters of principle regarding censorship". It was likely that police would turn up to the 8.

I wish to make an official complaint concerning the proposed deliberate public screening of the banned film, "Ken Park", by the group Free Cinema on Thursday evening July 3rd at 8.

As the film has been refused classification by the Office of Film and Literature Classification I request that you take immediate action to prevent the screening of this film and charge the organisers of this event should they purposefully break the law.

With the Sydney Film Festival over, several groups decided to fight the ban, and screen the film anyway. The first protest took place on Tuesday July 1st in Melbourne.

An anonymous group screened it at the Irene Community Arts Warehouse in Brunswick to an audience of around forty to fifty people.

When web programmer and media activist Adam decided to show the banned film Ken Park earlier this week, it wasn't simply to challenge the decision of Australia's censorship board.

Having downloaded the film from the internet, the year-old, who declined to give his full name, said he believed the Larry Clark film was worthwhile viewing.

You're always forced to empathise with them, which makes it a difficult watch and it makes you question yourself because you don't have the luxury of having to consider yourself so different to them," he said yesterday.

Adam and a group of like-minded friends working under the name of the Orifice of Film and Literature Titillation, showed the film free in Brunswick on Tuesday night.

While the review board's decision showed a narrow view of right and wrong, the film "pushed the censors' buttons" because it showed sex in an unsensationalised way, Adam said.

Not that there was an incest scene, not that there were people portraying minors having sex; it's that there was no moralistic bent on them," he said.

The proposed Balmain screening was given heavy publicity by the organisers who made themselves available to various media outlets. The following press release was issued by the group on the evening of the screening.

Ken Park, a film sold for general distribution in over 30 countries, has been banned in Australia. Free Cinema has organised a screening of Ken Park in Balmain tonight to protest that banning and allow Australians to see the film for themselves.

Ken Park is a confronting film about teenagers. It is not porn. It is not about young children. The film has been highly praised by mainstream critics.

But Ken Park could not be shown at the Sydney and Melbourne film festivals because of the ban. This is the first time since the darkest days of film censorship in Australia in the late s that these festivals have been forbidden to show even the most confronting and controversial films.

Australia's Review Board banned Ken Park on 6 June, claiming it offended against Australia's standards of 'morality, decency and propriety'.

The decision was taken by -. Melbourne critic Peter Craven: The only explanation of the ban on Ken Park is that the subjects it represents so matter of factly are intolerable to adult Australian contemplation unless they are dressed up in a tumult of moral hysteria.

This is a pity because it is a profoundly adult film, at once compassionate and cold-eyed. SMH 30 June David Stratton: a confronting, abrasive, brutally honest depiction of the shattered lives of a group of small-town teens.

Social workers would recognise these characters and situations only too well, and in its unflinching depiction of the way parents treat their children -either neglecting them, demeaning them or, in the most extreme cases, preying sexually on them - the film is unquestionably important and relevant.

James Hewison, executive director of the Melbourne International Film Festival: "Ken Park is Larry Clark's most accomplished film and in many respects his most tragic".

Maureen Shelley told a forum at the Sydney Film Festival that the board had "some discretion" about allowing the depiction of actual sex but the "cumulative high impact" of Ken Park resulted in their decision to ban it.

Important Note: The Review Board defines 16 and 17 year olds as "children". According to director Larry Clark, actors in the film were all over Adults should have the right to see hear and read what they choose Children should be protected from demonstrable harm.

That the uniform classification system, designed to provide a system of consumer guidance for films, videos and other publications is being progressively and deliberately undermined by restrictive classification guidelines and their conservative application.

Ken's big night in or out? Asked if the meeting's organisers actually possess a copy of Ken Park, film writer and member of the protest group Jane Mills said that she was "not sure".

But the Movie Show's Margaret Pomeranz, who also belongs to the protest group, said that a copy of the film did exist and that the screening would go ahead as planned.

She said the lack of confirmation on the screening was because the group had agreed to divert attention away from controversy so the film could be judged on its own merits.

She said there was a long list of countries whose censorship boards had passed Ken Park, adding: "Its even been allowed in Estonia - so far we are the only ones to ban it.

She criticised how the film was banned by a vote of just three board members of the Office of Film and Literature Classification. She said banning the film would not stop it from being shown - judging by reports today that an anonymous Melbourne group had screened it in a community arts warehouse on Tuesday after downloading it from the internet.

According to Mills, entrance is free to tonight's meeting at Balmain Town Hall - next to the police station - but the organisers hope people will make a donation.

Film censorship controversy: Ken Park abc. People try hard enough they could do all sorts of things, and people break the law in all sorts of ways all the time.

So, this is just another example of that. I mean, there are always people who are going to, as I say, push the boundaries and break the law. But on the other side of it, we have market research that demonstrates that the Australian community are very supportive of the National Classification Scheme and the principles that it enshrines, and we work within that ambit of the community being broadly supportive of the system, because it provides them with very useful information.

I mean, people rob banks as well, and do all sorts of things that are illegal and there are appropriate punishments for that.

But in general terms, people don't seek to break the law for gratuitous reasons. The action was taken in response to one complaint letter that had been sent by Fred Nile of the Christian Democratic Party.

We've arrested this film, say police smh. Police asked the television film critic Margaret Pomeranz and four others to give their particulars last night as officers considered whether charges are to be laid over the attempted screening of the banned film Ken Park.

Arthur Katsogiannis, superintendent of Leichhardt local area command, said police were acting on a written complaint. Minutes earlier, Pomeranz, standing in front of the screen while police lined the room looking on, had told the audience: "It is a shame it has come to this point," before pressing play on the illegal DVD copy of the film.

Pomeranz asked all those who wanted to share responsibility of exhibiting the film last night to raise their hand. Hundreds did.

As police surged onto the stage the audience booed. After some initial resistance, which allowed a tantalising few seconds of the film to appear, police removed the DVD from the player.

However, they said last night was not just about one film but about a wave of films that had been banned by the government censor in recent years.

Marr warned that Australia risked returning to the s. The final police shutdown had come after a game of cat and mouse between organisers and police lasting several hours.

The first officer had arrived even before the protesting film critics. A few minutes after 5pm, he asked volunteers bearing Free Cinema arm bands, who were setting up rows of chairs and organising milk for hundreds of cups of tea, what was going on.

An hour later, the officer was back. By now the cinema screen read "Ken Park banned! She said had seen the film eight months ago at a film festival.

She gave it "at least four stars". NSW to push for law change smh. NSW would push for changes to federal laws to allow banned films such as Ken Park to be screened at film festivals, Premier Bob Carr said today.

Mr Carr said state police who stopped a screening of the controversial film last night at Balmain Town Hall were obliged to act to enforce a commonwealth law.

Mr Carr said Attorney-General Bob Debus would raise the issue with his state and federal counterparts at their next meeting in November.

Mr Carr said there was absolutely nothing the state government could do to allow a screening to go ahead. To be updated on details of the screening, sign up using the form below.

An email will be sent to you closer to the event. This is not a Melbourne Underground Film Festival event. To sign-up, and to get more details checkout the censorship updates at the MUFF website.

To all supporters of anti-censorship and freedom of speech and art, We regret to inform you at this late stage that tonight's screening at the F4 bar has been cancelled.

Earlier this afternoon. Victoria Police cautioned the proprietors that they risked being fined and losing their liquor license if they allowed the screening to take place.

The management decided under the circumstances to disallow the screening of any RC material at the venue. Alternative arrangements were considered for unrestricted films, however it was decided this would not be satisfactory given the original intent of the screening.

Plainclothes detectives will be present on the night in the audience and although we, the Free would defy their presence and wish to commence screening, we cannot take responsibility for the legal ramifications for the F4 bar.

Once again, our sincere apologies. We will of course maintain contact and inform you all of future developments.

Yours in resolve - The Free. The event on Wednesday July 16th took place at an undisclosed location. The organisers were an unnamed group who promoted it by e-mail and word of mouth.

It seems to have worked as the film screened to an audience of over two hundred people with no problems from the police.

On September 11, , a copy was screened at a private residence in Hobart. The audience of around people had heard about it through word of mouth.

The media covered the intended screening, but no action was taken against the organisers. The Hobart Mercury quoted Acting Sergeant Peter May of the Hobart Police as saying that there had been no specific complaint in relation to the showing of the film.

The film was shown to an audience of around sixty people who had been informed through word of mouth. The event was organised by the Sydney University Film Society and was attended by several academics.

An application in respect of the film Ken Park was the subject of extensive media reporting in In a split decision on 21 May , seven members of the Board classified Ken Park refused classification for depictions of actual sex.

One member considered the film should be classified R.

Nimmt man Clark diese Charaktere, das, was sie tun, was ihnen geschieht, Gal gadot feet ab? Claude Stephen Jasso leidet unter seinem brutalen Vater. Send Cancel. Nun erfahren wir, warum der Teenager Ken Park Deutsche pornos in voller länge erschoss. Das Sloppy.blowjob wird Girlfriends flashing Fernsehen übertragen. Hassfilme der Stars von BlubberKing. Stephen Jasso. Larry Clark. Man kann die Kids aber nicht beliebig eingrenzen, zeigt Clark, man kann sie nur falsch behandeln und gleichgültig erziehen. Wife breeding party Titel. Larry Clark fächert dies in "Ken Park" authentisch auf, dazu passt auch sein deutlicher Umgang mit Nacktheit. Entdecke den Regisseur. Jean-Louis Piel.

Clark attempted to write the first script for Ken Park , basing it on personal experiences and people with whom he had grown up.

Dissatisfied with his own draft, he hired Harmony Korine to pen the screenplay. Clark ultimately used most of Korine's script, but rewrote the ending.

The arrangement was to film using digital video, but Clark and Lachman used 35mm film instead. Although it was sold for distribution to some 30 countries, [4] the film was not shown in the United Kingdom after director Larry Clark assaulted Hamish McAlpine, the head of the UK distributor for the film, Metro Tartan.

Clark was arrested and spent several hours in custody, and McAlpine was left with a broken nose. Clark says that this is because of the producer's failure to get copyright releases for the music used.

A protest screening held in Sydney , hosted by esteemed film critic Margaret Pomeranz , was shut down by the police. The film remains banned in Australia to this day and has not been successfully appealed since.

Ken Park. This article is about a film. For the legal case involving Ken Parks, see R. German festival release poster. Release date. Running time. This section needs expansion.

You can help by adding to it. But Clark does admit to a punch-up that had the film withdrawn from the London Film Festival late last year.

He lost his temper with the film's British distributor during an argument about terrorism, he says. Since its premiere at the Venice Film Festival, his film about four Californian teenagers facing an uncertain future has been released in cinemas in Europe and screened at other festivals.

Australia is the only country where the film has run into censorship problems, he says, though he acknowledges that "people have certainly looked at it sideways" in some countries.

In banning the film, the OFLC said Ken Park's treatment of sexual matters did not meet "the standards of morality, decency and propriety generally accepted by reasonable adults".

Upholding the ban, a review board said it contained scenes of "child sexual abuse, actual sex by people depicted as minors and sexualised violence".

It meets in camera to hear applications for review of decisions of the Classification Board. The Classification Publications, Film and Computer Games Act the Classification Act governs the classification of films and the review of classification decisions.

Section 9 of the Classification Act provides that films are to be classified in accordance with the National Classification Code the Code and the classification guidelines.

Relevantly, section 11 of the Classification Act requires that the matters to be taken into account in making a decision on the classification of a film include:.

The Code states that films which "depict, express or otherwise deal with matters of sex" and "violence" "in such a way that they offend against the standards of morality, decency and propriety generally accepted by reasonable adults to the extent that they should not be classified" are to be classified RC refused classification.

The Review Board was dealing with an application for sale or hire and not for a film festival application. The original applicants, MRA Entertainment had lodged an application for classification of Ken Park for sale or hire as a video.

The Review Board was asked by the Applicant to review the decision of the Director. Because the power of the Review Board is limited to reviewing determinations of the Classification Board made under the Commonwealth Classification Publications, Films and Computer Games Act it found that a review of the application for exemption for a film festival was not within its jurisdiction.

The Applicant lodged an application for review in relation to the determination by the Classification Board of an RC classification in respect of the application made by MRA Entertainment.

The Review Board received a written application for review and supporting written submission from the Applicant.

Mr Ross Tzannes made a verbal submission on behalf of the Applicant and submitted further written material.

The film Ken Park shows four non-adult teenagers, Shawn, Tate, Peaches and Claude, and their friends, parents and neighbourhood, as they negotiate their lives in a contemporary, and somewhat dysfunctional society.

In these reasons the Board adopts some of the descriptions made by the Classification Board in relation to certain critical scenes as it found those descriptions to be accurate.

He loops the belt around the doorknob and tests it around his neck before putting a pillow against the door, taking off his underwear, leaning back, and wrapping the belt around his neck.

The shots of Tate range from close ups of his genitals as he explicitly masturbates or his face to medium full length body shots. The tennis players are heard grunting as they play.

At 55 minutes the camera focuses on his face as he implicitly orgasms and then pans down to his penis which he still holds , with a semen trail.

His eyes are closed. The Review Board noted that Tate tugs at the belt around his neck throughout this two minute scene. They fondle and kiss. At 83 minutes there is obscured fellatio and rear entry intercourse the latter by Claude to Peaches, who is implicitly fellating Shawn seen in a medium shot.

The scene is inter cut with their post coital ruminations as they lie back and chat. The camera shot is only of her thigh area.

Then there is a long shot of Peaches seated astride Claude. They kiss as she moves up and down. Shawn is standing nearby at the kitchen counter, flipping through a magazine and watching them.

There is a saliva trail visible between her mouth and his erect penis as she lifts her head up. The camera pans up from her thighs up her body and ending in a three-quarter length shot.

Shawn licks her nipples as Claude masturbates her. The Review Board noted that, contrary to what is stated in a report from the New Zealand Office of Film and Literature Classification the Classification Office submitted by Mr Tzannes, this scene was romanticised and appeared choreographed.

He said that the decision showed that the film had serious merit and was worthy of serious discussion. Though the activity [the reference here is to the scenes of sexual activity] is depicted explicitly, it is not shown in graphic detail or in close up but more as observational, and does not present as being choreographed merely for the sake of the viewer.

Contrary to this view the Review Board found that the sex scenes were detailed erect penises, semen or mucous trails, open vagina and there were shots in close up.

The Review Board noted that the scene at 83 minutes. It was a visually appealing, romanticised scene depicting three attractive teenagers participating in extended sex and sexual play.

The Review Board found that the scene contained actual sex in that it depicted actual digital penetration. There were several scenes throughout the film that were of high impact.

She lies back with her legs up as he engages in obscured masturbation and cunnilingus with her. The camera pans up to them kissing before again showing her hand moving under his pants.

She first rubs his clothed crotch area, after which she implicitly puts her finger into her vagina and then into his mouth.

Peaches then implicitly fellates him. Her father enters the room and, horrified, throws his daughter from the bed.

Peaches is on the floor, sobbing and screaming at her father to stop. In addition to these scenes, another of high impact took place at 1 minute when a teen boy, whom we later learn is Ken Park , sitting at a skate park smiles, holds a gun to his head and shoots himself.

There is blood spray as the shot is heard. The camera pulls back to show a panoramic scene of the teenager lying prone on the ground with blood pooling around his head and other teenagers and younger children — mostly young boys — standing around looking at his body.

He removes his trousers, his penis is shown, the sound of urination is heard, the camera moves closer to the penis and the urination stream is shown.

At approximately 1 minute in duration, the scene is prolonged and gratuitously detailed. In addition to particular scenes of high impact, the film contains several themes of high impact.

These were. Whilst these themes of themselves would not necessarily warrant an "R" classification, they add to the overall impact of the film ensuring — in addition to thehigh impact and very high impact scenes — that the film is very confronting.

Finding that Ken Park contains scenes which depict child sexual abuse and sexualised violence and deal with matters of sex and violence in a way which offends against the standards of morality, decency and propriety generally accepted by reasonable adults.

The Review Board considered that the cumulative impact of the scenes at 54 minutes, 69 minutes, 75 minutes and 83 minutes depict or deal with matters of sex and violence in such a way that they offend against the standards of morality, decency and propriety generally accepted by reasonable adults.

The Review Board found that this impact was such that the film can not be classified. His drunken father enters his room and crawls into bed next to him.

Claude wakes and struggles, throwing him [the father] off the bed. He comments "nobody loves me" as his son leaves the room. As they lie asleep, he implicitly stabs his grandfather twice.

He [Tate] comments that "the skin was thick, like leather. He twitched a little, like a chicken". He then implicitly stabs his grandmother, again with no injury detail.

Before he kills her she says "I love you Tate". Then Legs started barking and I went soft". The fly of the shorts is open.

Claude is depicted in the film as a teenage schoolboy. Also the scene at 75 minutes where a naked Tate implicitly stabs his grandparents and is shown with blood spatter on his face as he narrates — in flashback — that he "started to get an erection" is one of sexualised violence.

Claude and Tate like the other teenage characters in Ken Park are depicted as being of school age. They are shown getting on to the school bus with their schoolbags.

They are intended to represent teenage schoolchildren. Mr Tzannes said in his evidence that the characters were depicted as 15 to 17 year olds.

The Board found that none of the teenage characters was depicted as an adult. In reaching its decision to refuse classification for Ken Park the Review Board took particular note of the Code in regard to films section 1 a.

In addition, the Guidelines state in the R classification that "sexual activity may be realistically simulated. Further the Guidelines for X state "As the category is restricted to activity between consenting adults, it does not permit any depictions of non-adult persons, including those aged 16 or 17, nor of adult persons who look like they are under 18 years.

Nor does it permit persons 18 years of age or over to be portrayed as minors". Under the Refused Classification section of the Guidelines, it states:.

There was no evidence before the Board about the actual age of the actors in Ken Park, nevertheless the Board found the actors were depicting characters who were not adults and so the actual age of the actors was not relevant.

The Review Board noted that the film could not be accommodated in the "X" classification as the Code does not allow for "violence" "sexualized violence" "or fetishes".

A number of the scenes detailed contained these elements including those at 1 minute, 54minutes and 75 minutes. Additionally, the Guidelines state "films and computer games will be refused classification if they include or contain any of the following" and a list is given which includes "depictions of child sexual abuse".

It was prolonged and contained gratuitous detail. In addition that scene and the other depictions of sexual activity depicted non-adult persons that is people under 18 years.

The X guidelines exclude the depiction of sexual activity involving non-adult persons or adult persons who look like they are under 18 years. The Review Board determined that the film had some artistic and potential educational merit in facilitating debate or discussion upon important social issues.

However, the Review Board determined, in the majority, that the masturbation scene at 54 minutes was prolonged and contained elements, such as the use of the asphyxiation device and a "semen trail", which were gratuitous and offensive.

Also the prolonged sex scene at 83 minutes depicts actual sex in that it contains actual digital penetration. It also contains detail of a penis with mucous trail — possibly semen or possibly saliva, and views of an open vagina during digital stimulation.

Some of the details within this scene were considered gratuitous. It was the determination of the Review Board that, despite the film making a serious attempt to grapple with issues facing many teenagers and having significant artistic merit, the cumulative impact of several scenes was more than what could be accommodated in an R classification for a "sale or hire" classification review application.

Two of the relevant scenes contained actual sex. One of the sex scenes included details of a fetish, namely auto-erotic asphyxiation.

Another scene depicted child sex abuse. The Review Board noted that the application for review was for sale or hire as a video. Under section 11 of the Act the intended audience of the film is relevant.

The Review Board noted that for a sale or hire application, as contrasted with a film festival audience with a single restricted screening, the audience is much broader and the screening of the film less controlled.

Overall the purpose, tone, treatment and cumulative effect of the various elements already identified including numerous scenes that appear prolonged or contained gratuitous detail result in a higher overall impact such that the film should be refused classification.

The Review Board found that the film contained elements beyond that which could be accommodated in R or X and the film was Refused Classification.

Had they not done so, then it would not have been rated and the Sydney Film Festival would have been able to go ahead with the planned screenings.

Censors' film ban creates a scene smh.

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